Rivers ran through the low places a week ago. After a few days, they subsided into streams, where sunlight winked lazily off the trickling water, like the slowly blinking lights of traffic, when you look down from a high hotel room. Now, only beds of silt remain, sculpted into long curving lines, and dotted by well-washed pebbles.
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The pond, so recently glazed by old, rotting ice, is now a glossy, liquid pool. I spent a long time there this evening, trying to capture the magic of reflection with my camera.
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The wildlife is betraying spring’s stealthy approach, too. Scores of robins hopped ceremoniously in one field, listening for their supper. I spotted four deer feeding on the grass (I told you it’s getting green!) in next field over. Cutting over to where a row of trees would block their view of me, I stalked closer. When I emerged into view, they had already heard me. One stood stock still, staring me down. I froze, my camera halfway to my eye, and stared back, determined to wait until she decided I was a tree and would glance away for a moment. She seemed unconvinced however, of my vegetative identity, and kept watching, while the light faded, and with it my chance of a good picture.
But not only the robins and the deer know that it’s springtime. I looked at the sky, marveling at the bright blue that seemed so unmatched with the dingy beige and green of the fields—I would never have put them together if I were painting the world, but yet, the combination is beautiful. Then I spotted, far in the distance, a dotted line of geese. Something in their dogged, unswerving pilgrimage always seems so solemn. To my mind, they have the final word that one season has ended, and a new one has begun. When I saw them pressing on, their lines undulating slightly with the beating of patient wings, I nodded quietly within myself, “Yes, it’s spring!” For the geese made an arrow pointed north.
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